Top 6 Best Compressors & Gates Effects Processors

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Dual Channel or Linked Stereo Operation. 14-Inch TRS Side Chain Inserts. 14-Inch TRS And XLR Balanced Inputs. 14-Inch TRS And XLR Balanced Outputs. Stereo Mode Balance Control.

Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes. New Gate timing algorithms ensure the smoothest release characteristics. Program-adaptive expanderGates. Great sounding dynamics control for any type of program material. Separate precision LED displays for gain reduction, compression threshold and Gate threshold allow quick, accurate setup. Inputs TRS and female XLR pin 2 Hot. Outputs TRS and female XLR pin 2 Hot.

Switchable IKA Interactive Knee Adaptation program-adaptive compression circuitry combines the advantages of hard-knee and soft-knee characteristics. IRC Interactive Ratio Control expandergate circuitry for virtually inaudible noise suppression. Switchable dynamic Enhancer for brilliant, lively audio even with heavy compression. IGC Interactive Gain Control peak limiting circuitry combines clipper and program limiter for reliable and inaudible protection against signal peaks. Switchable Low contour filter prevents pumping due to low-frequency dominated compression.

Clean and neutral sound with a wide variety of signal sources. High impedance 14 instrument inputs optimized for guitar pickups allowing every nuance to be heard. High quality 12AX7A tube inside to add warmth to musical dynamics. External power supply to keep AC line noise and hum back at the wall. Input Gain control and switch to maximize input dynamic range and s control tube drive Input.

Integrated de-esser with switchable malefemale voice recognition removes excessive sibilance from your vocal tracks. GC Interactive Gain Control peak limiting circuitry combines clipper and program limiter for reliable and inaudible protection against signal peaks. Switchable tube simulation for the extra warmth and transparency of classic tube circuitry. Automatically or manually adjustable attack and release times. Stereo couple function with independent output level settings.

Fully discrete signal path Utilizes custom USA made CineMag input and output transformers Utilizes USA made Kenetek opto attenuator Premium Tung-Sol and Electro-Harmonix tubes Variable Pre-emphasis, allows for compression high-pass filtering Stereo-link capability XLR and TRS balanced line level inputs - 600 ohms impedance XLR and TRS balanced line level outputs - 600 ohms impedance Frequency Response - 1 dB, 15 Hz to 20kHz Gain 40 dB -1dB Input Level 16 dB max. True to its inspiration the WA-2A boasts an all tube, completely discrete signal path with through-hole component topology. It also features custom, large-core Cinemag input and output transformers, four premium vacuum tubes, and the legendary Kenetek opto-cell, considered by many to be the worlds finest. No plug-in or other compressor type quite compares to the warm, forgiving, fluid qualities of this classic optical tube compressor. For decades, the renowned 2A type circuit has become the go-to device for seamlessly handling vocals, bass, and a wide variety of other instruments and program material in an effortlessly smooth way.

Quad-screen processing Supports 4-way HDMI output signal, connected to 4 LCD TV or other display devices such as projectors, DLP, plasma and other display unit.. Input signal Supports 1 composite video, 1 VGA, 1 HDMI, 1 USB four signal inputs totally, HDMI and USB signal interface with audio decoding, composite video and VGA signal plus the corresponding audio binding interface, all the input video signal can achieve synchronized output switching with audio.. Mirroring Compared with ordinary video wall controller, LINK-MI TV04 contain 180-degree image flip function for each screenYou need to buy LM-TN701 for 90or 270rotation. Attention 1x2 1x3 1x4 Screen,It must be Vertical Screen.. Various control port---RS232 Remote controllerHDCP compliant---HDMI 1.3, HDCP protection.The remote need Two AAA batteries Not include in the package.. Fully-digital processing channel inside Built-in conversion for analogdigital, interlacedprogressive, resolution, aspect ratio and refresh rate..

True to the Classic 1176 compressor in design and performanceCompletely discrete signal pathModeled after the D revisionUtilizes USA made CINEMAG input and output transformersSupports the famous all buttons in ratio settingUltra fast attack timeClass A line level output amplifier. Every effort was made to remain faithful to the original designs including the use of Reichenbach Engineering's now CineMag transformer design that was originally used. The classic 1176 was a major breakthrough in limiter technology - the first true peak limiter with all transistor circuitry offering superior performance with a signature sound - and set the standard for all limiters to follow. The ultra-fast attack time and trademark sound have lured legendary artists and studio moguls alike to the 1176 - Peter Frampton, Joe Satriani, Joe Chiccarelli, Vance Powell, and Mike Elizondo are just a few names on a list that's continued to grow, for nearly 50 years.

Premium XLR to USB-C connection. Use the Wave Link app to mix Wave XLR with multiple audio sources, plus create two independent mixes. Proprietary Clipguard technology prevents microphone distortion. Up to 75 dB of ultra-low-noise gain amplifies insensitive mics. 48 V phantom power drives condenser microphones. Dual selectable filters remove low frequencies. High-power 3.5 mm headphone jack for clear zero-latency monitoring. Capacitive mute button silences your mic feed upon the lightest touch. Multifunctional control dial for mic gain, headphone volume, and mic PC mix. Faceplate and control dial can be swapped for different designs.

100 Class-A discrete signal path. Classic, ultra fast FET response. Studio-grade discrete-transistor preamp. Dedicated Attack, Release and Ratio controls. Dry Blend control for parallel compression.