Top 6 Best Jhs Little Black Amp Box

Tames a screaming loud tube amp by running through the effects loop and controlling the amount of signal sent to the power section. Lets you really push the front end of your amp for the natural feel and tone that you cant get any other way. Retain the response and tone of your amps sweet spot at lower levels. High grade components keep your tone clear and pure. Passive design doesnt require any power. Designed to be compact, sturdy, and simple to integrate into your rig. Can easily be mounted underneath your pedalboard.

A full-fledged studio-grade preamplifier, EQ, and distortion generator with multi-instrument and microphone compatibility. The Gain section controls the overall volume of the unit, the amount of gain between the two internal gain stages, and the gain of each preamp stage in five stages. Using the new HiLo switch, get ultra clean sounds without breakup when distortion is not needed or achieve a broad spectrum of overdrive, distortion, and fuzz sounds. A -20dB pad switch on the right side of the unit tame the volume for high output microphones when in XLR input mode. The new Shift knobs in the EQ section adjust the range of frequencies that the Treble, Middle, and Bass knobs control to give you precision control over the EQ. The Hi-Pass section spans from 60Hz to 800Hz with a 6dB per octave slope. Offers 100 clean signal even on acoustic guitar, silent switching to eliminate switch-pop, and passing phantom power to condenser mics.

Used as a primary distortion, it excels at arena rock rhythm tones and soaring leads. Nails that sweet spot where a tube amp goes from sparkly clean to warm overdrive. Use the RAT 2 as a boost for solos and get the extra kick you need.

Designed to be one of the most transparent overdrives out there. Adds mid to low level grit to Your crystal clean tone and tube like touch response to a less than ideal amp. Boosts a crunchy tone into thicker sustain and switches between two gain levels on the fly. Delivers all the tonal and responsive nuance that Your amp is missing, and Nothing that Your tone alReady has. Gain Control sweeps from Completely clean to rock n roll. Tame the high end on brighter rigs with the side mounted bright cut switch. Features increased headroom and output for use as a Full frequency boost.

Volume control makes the effect louder as you turn it. Expand control increases the amount of fuzz. The Tone button engages a mid cut that flattens out the Supremes attack and makes it more submissive. Push the Mode button for a more pronounced octave up effect, thicker mid-range, and more available volumeboost. If you want to replicate the classic octave fuzz sounds of Pete Townsend, Black Keys, White Stripes, and Mudhoney, this is it.

Tape speed from reverse to stop to forward. Time stretching up to 4x. Pitch shifting from -2 to 2 octaves. 3 hold modes with forwardreversealternating direction. Intelligent randomization.

A fully analog, photocell-based vibe with tap tempo, ratio, external tap control, and external rate control via expression pedal. Bursting with all the lush and washy pulsations that changed what the electric guitar could sound like in the 1960s. All-analog signal path delivers a warm, touch-sensitive tone. DryWet toggle selects between a Uni-Vibe and vibrato effect. Control the rate of the effect with the Speed knob or onboard tap-tempo footswitch. The Ratio knob features quarter, dotted-eigth, and triplet divisions. Four knobs and a mini toggle are all you need for a world of syrupy, modulated tones.

The Volume control allows you to set your volume at unity or as a boost to push your amp or dirt pedals. 3 EQ controls to give you tons of control to cut or boost Bass, Mid and Treble. The rotary switch has 3 settings Full EQ, No Mid and No EQ. Low Cut dip switch removes some of the lows if you feel your tone is too muddy and can help you cut through a mix. In addition to the standard 14 inch input and output the Clover has an XLR output for using as an acoustic or bass preamp.

Has your standard volume, gain, and tone knobs found on most distortion fuzz boxes, but comes with an extra Mode selector knob that gives you four different overall tone and gain selections. In the off position, the tone knob is disengaged, giving you a bright and trashy fuzzdistortion sound. In the 1 position you have a mid-scooped sound that will give you a big Muff style buzz for a rounded sound reminiscent of fine mozzarella that sits just right on your pizza but doesn't get in the way. The 2 position is a mid-boost sound that will cut through a mix like a hot knife through velveeta. The 3 position gives you a biting, gated fuzz tone that, when cranked, spits, spats, and bites like Gorgonzola naturale.