Top 6 Best Jhs Morning Glory

Designed to be one of the most transparent overdrives out there. Adds mid to low level grit to Your crystal clean tone and tube like touch response to a less than ideal amp. Boosts a crunchy tone into thicker sustain and switches between two gain levels on the fly. Delivers all the tonal and responsive nuance that Your amp is missing, and Nothing that Your tone alReady has. Gain Control sweeps from Completely clean to rock n roll. Tame the high end on brighter rigs with the side mounted bright cut switch. Features increased headroom and output for use as a Full frequency boost.

Product 1 Designed to be one of the most transparent overdrives out there. Product 1 Adds mid to low level grit to Your crystal clean tone and tube like touch response to a less than ideal amp. Product 1 Boosts a crunchy tone into thicker sustain and switches between two gain levels on the fly. Product 1 Delivers all the tonal and responsive nuance that Your amp is missing, and Nothing that Your tone alReady has. Product 2 Use with select JHS Pedals to remotely activate the on board toggle found on the pedal itself. Product 2 Acts as an on the fly switcher to give you more tonal options in any setting. Product 2 Currently compatible with these JHS Pedals Morning Glory V4, SuperBolt V2, Twin Twelve V2, Double Barrel V4. Product 2 To use, plug it into the jack of the pedal labeled REMOTE the red washer denotes the jack to plug the Red Remote into.

Includes a JHS Sticker. Power requirements Standard 9V. Includes Full Warranty. True Bypass Switching.

A heavily tweaked Expandora-style dirt box that gives you tons of tonal options. A specifically chosen op-amplifier offers super low noise and an improved slew rate for smoother structure. The cutflat toggle gives you the option to cut the low end frequencies to better sit in the mix. When in the flat position, the bass response is beefy for those heavy guitar riffs or bass grit. The G1 and G2 toggles let you select various forms of distortion via select resistance values. Covers light transparent drive all the way to a wall of fat fuzzdistortion and everything found in-between. The V2 works with a Red Remote to switch the G2 toggle and flip into heavy overdrive or fuzz on the fly.

A full-fledged studio-grade preamplifier, EQ, and distortion generator with multi-instrument and microphone compatibility. The Gain section controls the overall volume of the unit, the amount of gain between the two internal gain stages, and the gain of each preamp stage in five stages. Using the new HiLo switch, get ultra clean sounds without breakup when distortion is not needed or achieve a broad spectrum of overdrive, distortion, and fuzz sounds. A -20dB pad switch on the right side of the unit tame the volume for high output microphones when in XLR input mode. The new Shift knobs in the EQ section adjust the range of frequencies that the Treble, Middle, and Bass knobs control to give you precision control over the EQ. The Hi-Pass section spans from 60Hz to 800Hz with a 6dB per octave slope. Offers 100 clean signal even on acoustic guitar, silent switching to eliminate switch-pop, and passing phantom power to condenser mics.

A simple digital delayecho that has everything you need and nothing you dont. Time is a manual control for the length of the repeats up to 1000ms, and Ratio controls the subdivision of the tap tempo. Mix controls the volume of the repeats, from fully clean signal to fully wet. Repeats controls the amount of repeats, from one repeat to infinite, and Darken works as an EQ for the repeats. Mod 1 is a subtle modulation that gives the delay just the right amount of movement without being overwhelming. Mod 2 is a deeper modulation that gives you a seasick sound for those parts you want drenched in modulation. On the left side of the Lucky Cat, youll find a dip switch for Vintage TapeDigital Clean tones.

Made in Kansas City USA. Offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds. The simple knob functions give you control over the Volume, Body or EQ, and Drive. The Gain toggle gives you a choice between more saturated and compressed or more open and crunchy dynamics. This switch plays a big part in how the pedal responds to your playing and touch as a player. Runs on 9V DC Negative Center power and consumes 12mA.

Has your standard volume, gain, and tone knobs found on most distortion fuzz boxes, but comes with an extra Mode selector knob that gives you four different overall tone and gain selections. In the off position, the tone knob is disengaged, giving you a bright and trashy fuzzdistortion sound. In the 1 position you have a mid-scooped sound that will give you a big Muff style buzz for a rounded sound reminiscent of fine mozzarella that sits just right on your pizza but doesn't get in the way. The 2 position is a mid-boost sound that will cut through a mix like a hot knife through velveeta. The 3 position gives you a biting, gated fuzz tone that, when cranked, spits, spats, and bites like Gorgonzola naturale.

Use with select JHS Pedals to remotely activate the on board toggle found on the pedal itself. Acts as an on the fly switcher to give you more tonal options in any setting. Currently compatible with these JHS Pedals Morning Glory V4, SuperBolt V2, Twin Twelve V2, Double Barrel V4. To use, plug it into the jack of the pedal labeled REMOTE the red washer denotes the jack to plug the Red Remote into.

Volume control makes the effect louder as you turn it. Expand control increases the amount of fuzz. The Tone button engages a mid cut that flattens out the Supremes attack and makes it more submissive. Push the Mode button for a more pronounced octave up effect, thicker mid-range, and more available volumeboost. If you want to replicate the classic octave fuzz sounds of Pete Townsend, Black Keys, White Stripes, and Mudhoney, this is it.