Top 6 Best Jhs Pedals

Distortion guitar effect pedal gives a British stack sound effect a recreation of 70-80s classical sound. 3 Controls by Volume, Tone and Gain. 2 modes of Bright and Normal, switch to Bright position to distortion your sound for a bright tone or to Normal position to distortion the device for one-of-a-kind pedal sound. True bypass hardware switching. Made of reliable high-quality aluminum alloy with a beautiful art design on the top, and diamond cut along the edge anti-skid rubber pad on the backside for stability and friction prevention. LED status indicator user manual included no batteries needed, powered by an AC adapter NOT included delivery, 9V DC, internal negative, external positive. Measures 3.7 by 1.9 by 1.66 inches 94 by 42 by 48 millimetres Mini size, big sound. Be creative..

Designed to be one of the most transparent overdrives out there. Adds mid to low level grit to Your crystal clean tone and tube like touch response to a less than ideal amp. Boosts a crunchy tone into thicker sustain and switches between two gain levels on the fly. Delivers all the tonal and responsive nuance that Your amp is missing, and Nothing that Your tone alReady has. Gain Control sweeps from Completely clean to rock n roll. Tame the high end on brighter rigs with the side mounted bright cut switch. Features increased headroom and output for use as a Full frequency boost.

Volume control sets the overall output level of the effect turn it up and things get louder. Tone control lets you sweep between bright and dark tones so that the Bender works well with a range of different amplifiers and guitars. Attack is the distortion control, the more you turn it clockwise, the more fuzz you create. Push the Mode button for more gain and a mid frequency boost to send you leads soaring through the mix. If you love the fuzz sounds of Led Zeppelin, Jeff Beck, The Beatles, Mick Ronson David Bowie, and My Bloody Valentine, then the Bender is for you.

Made in Kansas City USA. The Delay gives you 80ms to 800ms of delay time, for everything from slapback to long ambient washes of pad-like echo. The Type toggle allows you to select between a clearer digital-voiced delay and darker analog-voiced delay. The Delay will give you classic bucket brigade runaway when you max out the Repeats knob when in the analog-voiced delay mode. Runs on 9V DC Negative Center power and consumes 71mA.

FET compressor that has three simple controls Volume, Compression, and Blend. The Volume control gives you the ability to set your volume at unity gain or slightly boosted to make up for any perceived loss from the compression. The Compression knob controls the amount of compression for everything from a subtle smoothing of your tone to a pleasing squash thats perfect for country, blues, pop, and rock. Use the Blend knob to dial in the right amount of clean tone along with your compressed signal. With the ability to blend in compression and clean signal, youll be able to dial in the perfect sound that keeps everything in place.

The PackRat is the ultimate tribute to the 40 years of rodent evolution and its impact on the guitars sound. Artists from every genre have used the iconic tones in this unassuming black box to create their sounds. Building on our Multi-Mode pedal series that includes the Muffuletta and Bonsai, the PackRat uses the same unique digital runway system to direct the paths of 261 components through 40 individual switches. When you choose one of the nine legendary or rare modes, you are playing fully analog circuits that perfectly replicate that mode, even down to the aging components also known as component drift. Power Uses 9V DC Negative Center. Do not use more than 9V DC. Your warranty will be voided. 100mA max consumption.

Uni-vibe Photocell Modulator w Tap Tempo. All-Analog signal path delivers a warm, touch-sensitive tone. Drywet toggle selects between a Uni-Vibe and Vibrato effect. Left two controls are your tone, right two controls are your speed, toggle is your effect. Requires standard 9V DC negative power.

Compact and versatile tone-machine. When both toggles are down, you are in the lightest gain setting, amp-like chimney breakup. G1 flipped up adds a touch of drive for more riffy grit. G2 flipped up puts you almost into distortion land, with more saturation and sustain for lead tones. Both toggles flipped up sends the Kilt V2 into almost uncontrollable gated fuzzdistortion that will cut through anything.

Use with select JHS Pedals to remotely activate the on board toggle found on the pedal itself. Acts as an on the fly switcher to give you more tonal options in any setting. Currently compatible with these JHS Pedals Morning Glory V4, SuperBolt V2, Twin Twelve V2, Double Barrel V4. To use, plug it into the jack of the pedal labeled REMOTE the red washer denotes the jack to plug the Red Remote into.

Made in Kansas City USA. Our take on Brian Eno's classic Shimmer effect that has been used for decades to allow the guitar to create pads and textures that fill out ambient space. Toggle up layers in upper octave sounds, while toggle down layers in lower octave sounds. Runs on 9V DC Negative Center power and consumes 65 mA.

A full-fledged studio-grade preamplifier, EQ, and distortion generator with multi-instrument and microphone compatibility. The Gain section controls the overall volume of the unit, the amount of gain between the two internal gain stages, and the gain of each preamp stage in five stages. Using the new HiLo switch, get ultra clean sounds without breakup when distortion is not needed or achieve a broad spectrum of overdrive, distortion, and fuzz sounds. A -20dB pad switch on the right side of the unit tame the volume for high output microphones when in XLR input mode. The new Shift knobs in the EQ section adjust the range of frequencies that the Treble, Middle, and Bass knobs control to give you precision control over the EQ. The Hi-Pass section spans from 60Hz to 800Hz with a 6dB per octave slope. Offers 100 clean signal even on acoustic guitar, silent switching to eliminate switch-pop, and passing phantom power to condenser mics.