Top 6 Best Kick Drum Mic

Uni-Directional Dynamic Instrument Microphone. Frequency Response 50 Hz - 15,000 Hz. Sensitivity -72dB at 1,000 Hz Open Circuit Voltage. Can be used with Lo-Z XLR 3 Pin Balanced Hi-Z 14. Impedance 300 ohms at 1,000 Hz.

Locked Legs - The quality design on our microphone stand's patented leg housing locks the legs when opened without the need of a screw.. Easily Adjustable - The ergonomic center clutch on our on stage mic stand allows for easy height adjustment. Adjust from 19 to 29 inches for use while singing, sitting, or standing. Telescopic Boom - The metal telescopic boom on our mic boom stand comes with separate clutches that allow you to change the length and angle easily. From the vertical pole it extends between 4 and 27 inches.. Cuts Cable Clutter - Avoid crossed wires This microphone boom stand includes standard US 58-27 threads as well as 2 clip-on cable holders to keep things neat and tidy.. Multiple Stand Options - Our microphone stands come in an array of types to better fit your sound - try the standard clutch, the low profile stand used for kick drums, or the one hand clutch to meet your music needs.

Tailored microphone cartridge design specifically for low frequency clarity. Swivel joint with quick release latch with a design similar to bicycle component-locking technology for extremely quick and easy positioning. Cardioid polar pattern picks up audio from the source while rejecting unwanted noise. Updated industrial design with black metallic finish and grille for unobtrusive visual presence. Two available options 1 with 15-foot XLR-XLR cable, or 2 without cable.

Frequency response shaped specifically for kick drums and bass instruments. Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum. Studio quality performance, even a high sound pressure levels. Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise. Hardened steel mesh grille that resists wear and abuse. Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration. Neodymium magnet for high signaltonoise ratio output. Low sensitivity to varying load impedance. Legendary Shure quality and reliability. Drum microphone provides low-frequency bass punch and SPL handling. It includes dynamic locking stand adapter for easy set-up, steel mesh grille for durability, shock mount for sound isolation, and neodymium magnet for high signal-to-noise ratio..

Powerful sound with profound bass range - Especially tuned for low-pitched instruments. High-performance capsule - Withstands extreme sound pressure levels. Built-in hum compensation coil - Rejects EMC noise for the cleanest sound. Rugged wire-mesh cap and sturdy die-cast metal body - Withstand tough day-to-day stage use. Integrated stand adapter - For easy mounting on mic stands.

The industry standard for snare drum, and a reliable and high-performing choice for toms, Shure's cardioid dynamic SM57 microphone features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately.. Perfect for the kick drum, the supercardioid Beta 52A derives its low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the Beta 52A is designed with an integral locking stand mount for quick-and-easy set up.. Shure's A56D universal drum mounting system can be used to position microphones virtually anywhere - on drum rims, microphone stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and can be used with any standard microphone, making it a great tool for both stage and studio environments.. Top quality microphones and an affordable price makes the Drum Mic Kit an exceptional value for the performing drummer.. Suggested Applications Kick Drum, Snare Drums , RackFloor Toms.

Frequency response shaped specifically for kick drums and bass instruments. Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum.. Studio quality performance, even a high sound pressure levels. Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise.. Low sensitivity to varying load impedance..

Uniform half-cardioid polar pattern for maximum gain-before-feedback and rejection of off-axis sound. Precision-engineered low-profile design features integrated preamplifier and XLR connector to maximize setup efficiency while minimizing stage clutter. Frequency response tailored for kick drumlow frequency applications with a wide dynamic range for use in high SPL environments. Two-position contour switch to maximize attack and clarity depending on application select the flat response setting for natural sound in most applications or the low-mid scoop setting for a strong low frequency punch with plenty of higher frequency attack. Requires no external mounting or accessories for ease of use and storage. Furnished with zipper pouch. Kick drum microphone provides a strong low-end response and maximum gain-before-feedback due to its half-cardioid polar pattern. It features a two-position contour switch to maximize attack and clarity and a low-profile design.. Also in the box 1 - 95A2314 Storage bag.

Frequency Range-20hz to 19khz. Neodymium Magnet. Aluminum Voice Coil. Sensitivity- .2.4mVPa. Impedance-300 ohms.

Size is everything. The Solomon lofreq is huge in the mix and only 7 compared to a 10 snare. Recording studio and live stage use on kick drum, bass guitar cabinets. Attaches to standard microphone stand 58 fine thread - output jack neutrik XLR. Dynamic microphone - 6.5'' Speaker driver - polar pattern bi-directional - impedance 150 ohms. Customized in-line pad for controlled gain gain and impedance designed to match beta 52.

7 high quality custom drum mics. Integrated clips save on stand expense. Heavy-duty soft-sided zippered carry case. In use on professional tours throughout the world. Includes D19 Snare, 3 D29 Tom, D10 Kick and 2 C9 Overhead.

1x PGA52 Cardioid Dynamic Kick Drum Microphone. 3x PGA56 Cardioid Dynamic SnareTom Microphones. 1x PGA57 Cardioid Dynamic Instrument Microphone. 2x PGA81 Cardioid Condenser Instrument Microphones. 1x A25D Break-resistant Microphone Clip.